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The flutey tendrils which drift through the Ceremonial air of the opening track are accompanied by various clattering, drumming and whispering. More percussion surfaces during Traveling Moon Part 1 & 2, setting a rhythmic pace for the hovering electrodrones and fluttering Ney flute, and accelerating in the second movement, while wispy sheets of sound waft alongside a buzzing Jew's harp and hypnotically serpentine wind instrumentation.Slower, lower and beatless, Majestic guidance resonates with the rippling prescence of processed fujara sounds, backed by a moodily thrumming veil of electrons. As the track progresses, pressures rise, then fade so slowly away.
Various drums, ceramics, woodwinds and more converge at The meeting ground for a peaceful-yet-animated gathering, uniting their musical voices in rather cinematic expressiveness.
A particularly lush ebb-and-flow langorously spreads beneath The sacred balance, its softness occasionally stippled by distant random clatter. Simply gorgeous!
Closing on the trio of pieces which make up the Temple of dawn, things shift back into the rhythmic... a swirling flurry of drumbeats, pattering ceramics and chiming metals dominate Part 1; this primal thunder is joined by an animatedly growling digeridoo, animalistic wails and skywardly climbing flutage. As everything else vanishes, the didge carries on, pulsing like a live electric current into Part 2 (3:28), where it meets with a sparkling fujara counterpart. The two entitities entwine and dance through various contortions, often sounding like grungy guitar feedback. These tones subside into the much smoother, velvety expanse of Part 3 (16:41). Trickling sands, tweedling tones and ghostly whispers accent the drift-and-shimmer of VO's synthesizer magic.
With such accomplished guides, I'm very glad to be led into this Spirit world, so tangible I can feel the sun bake my skin, the sand creep into my hair and the smile cross my face as my earthly cares melt away.
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