Vidna Obmana/Serge Devadder:
The Shape of Solitude

vidd-sos.jpg (16k) Vidna Obmana/Serge Devadder:
The Shape of Solitude

(Multimood - 1999)

Vidna Obmana says his newest collaboration, The Shape of Solitude, is "again continuing the expedition into the contemporary"; in the sense that Serge Devadder's electric guitar displays a certain degree "contemporariness" by virtue of being a more standard instrument, that may be true... But his abstract modes of making guitar sounds, coupled with with VO's processing treatments and atmospheric electronics result in something far from plain, old "contemporary"... wonderfully far.

Behind slow, serpentine guitar noodlings, Vidna Obmana's electronics shimmer mysteriously; When a Dead Tree Sings sounds as if someone is casually plucking within a radiant, somewhat eerie fogbank, where the echoing riffs of ghost-guitars are sometimes heard. A period of silence precedes the Evening Prophecy. As sparse, though drawn-out, chords dissipate into a coldly dusky sky, this piece is rather reminiscent of Slim Westerns, but darker, and absolutely lovely as such. The Plain Truth is that when processed guitar sounds slipstream through a somewhat foreboding electronic haze such as this, the result is both abstract and beautiful, while tinged with a distinct edginess.

Devadder's exploratory plinky-plinking winds its way, seeking beyond the Perceptual Edge of VO's peacefully rolling sound-drifts, which wash like oddly illuminated mists rising from an irradiated ocean. The sounds beneath A Stinging Memory of Shared Skin (14:43) aren't as painful as that intriguing title may indicate; "wistful" perhaps would be a more apt descriptor of the mood evoked by the drifting ephemera, laced through with resonant strands of smoothly streaming feedback tones. Yet another discomforting title, As Pain is Cloaked with a Smile (3:14) is a more active "duet" between Devadder's almost-Oriental string patterns and VO's countering synthforms.

Cinematic qualities infuse Deceiving Mirror in an Obscure Room with a strong sense of some impending unknowable; between swirls of electronics, guitar shards are heard and intriguing transformations keep the listener guessing in this moodily anticipatory offering. A long quiet spell is slowly intruded upon by approaching fogbanks in Leaving this Place Again. The piece develops into shapeless mists which pile and roll hypnotically in a soft chaos, without any "recognizable" guitar sounds.

All this talk of contemporariness is reflected in VO's recently revamped website, entitled "The Contemporary Harmonic"; there you can learn more about upcoming projects that define this new focus, as well as offer much more insight into past projects, etc.

An ambient artist who is continually exploring new pathways, Vidna Obmana, with experimental guitarist Serge Devadder, have fashioned the loose curves and sloping depressions which outline The Shape of Solitude. The standard six-string has been darkly transformed, reprocessed and combined with reflective synth atmospheres into an electronic 9.0 rumination of a solitary nature. 9-0.gif
This review posted July 25, 1999

AmbiEntrance © 1999-97 by David J Opdyke (except CD cover art, rights retained by original owners).