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Wispy fujara gusts sputter and resonate in a brief Duel (1:58) with some unknown foe. While written for E-bow and electric guitar (provided by Steve Roach), I seem to hear ghostly brass, sax and wind instruments in the big, rolling waves of sound which are Chasing the odyssee in slow, viscous percolations. Sprinkled with sparkling overtones, A platform of sorrow is built upon fujara and harmonics, evoking more trepidation than sadness.
Softer (and not overly "dissonant") textures are explored as The gaze in dissonance hushedly unfolds and drifts into the mysterious realm of
Mute grief; tiny guitar plinks scatter and melt, joined by fujara winds amid a hazy backdrop. Jim Cole's rich vocal overtones waver like a human theremin rippling through the glimmering sheen ofRevelation.
A slope into amorphous serenity, The path downwards (19:12) billows with rising/falling currents of almost-orchestral stringsounds, which (eventually) begin to evaporate into nothingness. Loopy blurts of Joris De Backer's double-bass erupt from 14.5-minute-long Infinity, accompanied by dreamy curtains of processed guitar and piano
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