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Beneath dj wally's forceful beats and cool instrument-and-sample arrangements, a haunted-funhouse vibe reinforces the notion that "I must be mad" (6:31). bisk's perky "mock up" employs a chaotic kitchen-sink approach of blending musical styles... from Latin to Hawaiian to symphonic to who-knows-what. "raludom morf" by benge stutters, spatters, hisses and blurts like a science experiment taking on a rhythmic life of its own.
Laced with industrial essences, intriguing "cantho" veers between freeform's percussive explosions and quieter metallic textures.
shudo implants brash beats into the increasingly-dense hive-noise of "bringing together the best"... loudly immersive! Less invasive (though more oblique), "exit" from fisherofgold swirls beatlessly into a swampy stew speckled with crickly squidgies and viscous rippling ooze.
In "the whistling cat", weird whistling, a spy-show bassgroove and bits of electronic roughage are pelted with busy beatronics courtesy of mash'ta. rip-off artist interweaves bouncy funtime keyboarding with spattering e-beats and assorted very-computerized sounds; most noticably, robotic vocals about playing with his "gizmo". tal's "breaks, rattle and roll" (3:17) rolls out exhaustively splintered urban-hop samples... which prove to be a tad overwhelming.
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