Various Artists: knots

va-k.jpg (6k) Various Artists: knots
(thousand - 1999)

Inventive, experimental reconstructions of an identical sample bank from '70's prog-rockers Gentle Giant are elaborately deconstructed/re-assembled by a group of Various Artists. The resulting tracks of knots span an ear-bending gamut from quirky to downright bizarre. The fact that the same sounds were transformed into such varied end-products is a testament to the creativity and skill of the performers.

Interestingly, some of the artists were familiar with Gentle Giant's original works, while others had no previous experience at all. As a listener in the latter category, I wonder how differently this might sound to someone more well-versed with the source sounds, though I'm quite sure they've been rather radically reworked overall...

Colongib spews out busy, mutant jazzforms with "Agent Tingle" Jack Schaefer's lively "Here" ripples as energetic quirkpop. With "Steppin On The Green Giant", Legion of Green Men capture the prog spirit and inject it with a freshness of their own. Kid606's " Over and Under (TNK) " (8:34) is threaded with spacy effects and backed by a throbbing beat.

Cavernous drones, stuttering drumbeats, jazzy basslines and rollicking guitar say "In My Way Did I Use You" according to Under The Big Tree. Chuck Miller's chaotic "1K Mix" gets pretty overbearing with hyperactively assaultive grunginess. Twittering electrons, e-beats and a considerable noise factor weave through "Impasto Beard" by Phthalocyanine, as does a more moody development. Electric Company's "Tangle Tinge" begins as a more electronic/minimal track, then becomes noisier and more overtly musical, through still thoroughly disjointed... one of my favorite tracks actually.

Dntel renders "Holmes' where the heart is" as a blend of the soft-and-smooth with the harsh-and-beaty, becoming more faint and buzzy. Sweet! With "MMT8 Rearrangement", Lexaunculpt unleashes an all-out transmogrification ("rearrangement" is an understatement!) which reduces the sounds into oddly arranged, micro-xylophonic patterings and a continually changing lineup of freaky buzzer noises. eM's bleep-and-bass "Gently Gigantic" (gotta love that title!) becomes a microjazzfunk organ riff laced with mechatribal percussion and spooky atmospherics. Thermal's work is more subdued, though still swirling with strange musical energies; his "Gengi Monogatari" wafts in a lovely murk from which assorted tantalizingly spectral entities emerge. Blectum From Blechdom closes the proceedings with "Rumpfed Runyon (excerpt)", a gritty miasma which emits fractured sitar sounds amongst the digital shrapnel.

Too wild to be ambient, knots is tied together with aggressively creative spirit which transforms the same sounds into very different and completely unpredictable sonic constructions. With such variety, there's likely something to appeal to (and/or annoy) most any listener, though those with hearty constitutions will best withstand the overwhelming sensory impact. Visit the thousand website to learn more about this eclectic 8.4 project. 8-4.gif
This review posted December 28, 1999

AmbiEntrance © 1999-97 by David J Opdyke (except CD cover art, rights retained by original owners).