Various Artists: Between Two Points

va-btp.jpg (12k) Various Artists: Between Two Points
(12k/LINE - 2001)

A unique Various Artists comp profiles both the 12k label and its even-more-micro node, LINE...

In this case, the line Between Two Points is thin indeed... microscopic, even; these tiny audioworlds often seem to exist in a zone of digitized ambience or even further hidden away on an intriguingly submolecular level...

The first disc (11 tracks @ 72:11) focuses on 12k, adding a few new names to its usual roster... for instance, Sogar, whose effervescent buzzes and clicks of "L1" are stirred into soft mechanical drones. Taylor Deupree's own "Bare (Bare)" emits a strand of self-replicating chimes amid a lightly glaring sheen. Long-runner "Aftersnd_birth (in 4 parts)" (12:21) sputters, blips and resonates, arranged by Mark Fell into semi-rhythmic patterns, or just allowed to drift very quietly.

Faint tempo-matching pips exist behind lovely "Grammar"'s humming fluctuations, then set afloat a steady-state tonal plane courtesy of Dan Abrams. From some silicon rift, shifting multiplanar forms interact almost-organically, as envisioned by Kim Cascone in "Dust Theories (Sferic 1 Mix)". Like some insectoid communication, Vend counts "1.2.3." in wet little clicks.

The second disc (8 tracks @ 56:19) enters on Roel Meelkop's generally quiet "Liner", which veers once from its course, into more active micronoise. "Vibra" (3:29) from our favorite female micro-artist Miki Yui, offers a short emission of machine-like essences and wispy highs. Long strands of droning resonance are underscored by steady mechanized rumblings in "Kernel Panic"(10:28) from Bernhard Günter.

Beneath the faint electronic warbles etched into Steve Roden's "Mobile Stabile" a throbbing space-engine seems to thrum. Quavery blipping/ringing tones from *0 are seperated by periods of virtual silence when "2.001K" close the comp.

Other artists include: Noto, Mikael Stavöstrand, Komet, 0/R, GOEM, Richard Chartier, Immedia and DUUL_DRV.

Whether you find these 19 miniaturized audioscapes to be tantalizing or frustrating, Between Two Points represents the talents of this subgenre's finest sound-sculptors. Perfect for at-the-computer headphone-listening because it makes you feel somehow more in tune with the inner workings of your machine... well, it does me, anyway. An overall 8.7.

Websites for both 12k and LINE can be accessed at www.12k.com.

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This review posted May 31, 2001

AmbiEntrance © 2001-1997 by David J Opdyke (except CD cover art, rights retained by original owners).