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Muffled bells cascade prettily in the bittersweet tunelet at the heart of
sense's "250600"; accompanied by whispy drifts, mechanically sputtering percussion cycles continually from one ear to the other.
A sheen of rain and symphonic drones follow melf's " little grey cat" on its rather short journey.
"amphora" from phonex basks in warm sunset tones, slipped through by a chillier breeze while a slow arpeggio of twinkly notes seem to spiral upward into interstellar realms.
Laced with almost-intangible grit, a lovely smear of chimes and sustains entangle with wandering organ chords in sedate contortions as proem introduces "boring alice".
Glassy clatters and low industrial pulsations serve as a background texture for
salice's quietly doodled synthnotes in "whale track".
oblique's noisier "construction" consists of unpredictable convergences between weird ripples, gusty bursts, distorted laughter, digital grunge, faraway music and elastic electro-bloops.
"untitled" explores the celestial void of distantly rolling spacewaves courtesy of threehz's in-depth explorations. In some unknown zone, buzzsaw reverberations are met by muffled horn licks forming a strange-bedfellows duet in
syndrone's "b is for balloons"
The glaring electro-orchestral soundwaves of pandorabox's "fugue #4 " rise and fall in (sometimes awfully) dense crest and troughs, carrying bits of synthetic flotsam.
"ebbtide moon" by soundstate opens on odd non-rhythmic clatter and drifts, but is overtaken by a more direct beatsystem which adds jungly electrodrumming to the mysterious mood. This mode evolves into yet another featuring buzzy tunefulness, spirited e-beats and starshine swirls.
Like a micro-lounge hybrid,
eu's "christmas" mixes up a fizzily intoxicating highball of sultry-yet-crisp beats, fragile belltones and a gently retro-sci-fi atmosphere.
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