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Beginning at zero, Richard Chartier's "untitled" neominimalism grows into a grittily drifting miasma of microtones which subdues again, hovering in an almost-subaudible hum. "Comp Zeven" by
Goem takes a more forceful tact, pounding with a machine-like rhythm.
Kim Cascone delivers "BufferDrift" (2:06) an impossibly mutated (if brief) sculpture of sonic molecules.
Miki Yui's moody ">B IO" floats in a zone of ringing drifts which echo with a lost-in-a -cavern-of-ice feeling.
Dan Abrams (a.k.a. shuttle358) and Albert Tan combine forces in an unnamed track (7:11) which fairly well bops along, albeit in a completely computerized mode. "Strictly A C" by Surge takes bleepiness to new heights as oscillations are punctuated by staccato rhythmics.
A digital sizzle underscores "würm" which is powered by a mechatribal beatsystem and and an electrically keening tone provided by Komet. The thrumming bass pulsations of 12k leader Taylor Deupree receive sparkling adornments of clipped ringing tones, syncopated miniblips and occasional outbursts of static in "A100STUDY00.01.31"; interestingly, the track has a certain amount of swagger, like a rock song boiled down to its atomic components. A bass rhythm from *0 is overlain with reoccurences of an unwavering tone in "2.000".
Previewing their upcoming collaborative CD, Tetsu Inoue joins Taylor Deupree in "Active/Freeze", a scattering of crystalline soundshards which sometimes reveals warmer (though severely cut up) musical interludes.
"Sequence" emits a dreamily washing backdrop which is infused with mechanical/glitchy cycles from shuttle358 (of optimal.lp fame).
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