Jon Sheffield: Shore Hoses

she-sh.jpg (4754bytes) Jon Sheffield: Shore Hoses
(Sparkling Beatnik - 1998-99)

As you'll read in Jon Sheffield's AmbiEntrance Exclusive interview this month, Shore Hoses was his "reaction to digital multi-track recording".

A very good reaction indeed, these pieces are intricate enough to dazzle, yet subtle enough to soothe, often at the same time. Beaty without being obtrusive, Sheffield's lovingly layered sound constructions beg to be heard through a good set of headphones, to surround your ears with these multifaceted marvels.

Beneath untold layers of cyclic chirps, bleeps, tones and melodies, (i)haust possiblex emits faintly fluttering flutey electronics, backed by very light rhythmic effects. Mid-tempo drumming and cymbal spatters are stirred in with the sliced and diced soundwaves of daubwelnd, a low-key-yet-zesty mixture coursing with a low frequency melody and dancing high tones. enreliasion is alive with softly active, yet quiet, keyboarding and deep beats; another engagingly swirling miasma of electrons.

There's something contemplative yet befuddled about elmergooze... The track is more discordant with soft, though untuned, notes causing a semi-spooky disorientation, then peppered with a fair amount of wet, churning grit. Several relatively straightforward (and quite pretty) piano arrangements are stratified, then juxtaposed by a roughly rippling texture in a tulip sent, Sheffield's lovely gift to his family. The busy, atonal progressions and electro-wafts of smp2 are layered over rapid, sibilant cymbalism, then topped with an aimless tune which could be "the kooky robot theme" or something...

Pronounced beats bolster wailstag; its underside consists of a lush bed of electrohaze intertwined with wandering synth burbles and its center is permeated by steadily pattering syncopation; a magical, beautiful interplay of elements. Dispassionate, though fuzzy, the muffled, off-kilter notes of q9 semi-randomly blurp in a cut-up, windchime-like fashion. Drummier and bassier, though still dreamy, selphaing (3:19) takes a minor assault by clanking, echoey e-beats against a pulsing, almost-organic backdrop, which contains many layers of not-immediately-perceptible activity, including Sheffield's machine-voiced rap.

Even more "groove" occurs within peripheral activity though above the growling, bubbling synth riff, it's still fundamentally a quiet piece. Swiftly shuffling rhythms additionally stir beneath its surface... The most purely "ambient" piece, (just a) departure thrums with quiet harmonica swells, which sometimes spark into a louder profusion, but mostly just simmer alongside hushed keyboard excursions. Talk about ending on a high note... distant percussive thunder pounds closer in the disc closer, nice sink (7:39); several shimmering layers twist and float between cascading beats and effervescent burbles. Absolutely gorgeous!

Shore Hoses is a rare, sparkling 9.2 gem, not so much for its blending of sweet electronic tones and active rhythms with an extremely palatable sense of experimentalism, but for doing it so damned well... Much to my pleasure, this isn't Jon Sheffield's only release on the Sparkling Beatnik label; if you missed it, see last month's take on Sheffield's equally entrancing Calves Valves (after you read the interview, of course). 9-2.gif
This review posted August 28, 1999

AmbiEntrance © 1999-97 by David J Opdyke (except CD cover art, rights retained by original owners).