Rockenfield/Speer: Hells Canyon

rocspe-hc.jpg (17k) Rockenfield/Speer: Hells Canyon
(Rainstorm Records - 2000)

What do you get when you toss a multi-genre guitarist and the drummer from Queensryche into America's deepest gorge? An atmospherically-charged, progressively-rocking travelogue from Hells Canyon...

Scott Rockenfield's rock-steady rhythmications and Paul Speer's guitars boldly blaze 11 twisting trails between precipice walls and across desert flatlands as stingingly fluid timekeeping and fiery fretboard gymnastics are underscored by swelling synth choruses.

With thunder and ominously swirling ambience, a brief Descent (0:33) drops us in on the spunky, bass-driven Seven Devils; choral drones and adroit fingering are backed by equally agile drumming. Neo-ritualistic, but decidedly rocking, drumbeats propel Chant of the Fathers into a soaring orbit, accompanied by golden rays of Speer's power-chording and liquid leads.

A more languid pace is explored in the hypnotic Snake Dance; sultry patterns of bass and percussion are topped with softly entwining guitar strands. Brimming with dark energies, Crossing to Freedom features spiritedly thrumming strings on multiple levels. With the distant traces of animalistic synth cries, Coyote resonates with an expansive atmosphere before charging into a glowing, ever-evolving entity.

Wordlessly streaming female crooning is swept through the serpentine channels of River of No Return; powerful rhythms and skywardly reaching six-strings mimic the natural cycles of a watery force in constant (and quite possibly dangerous) motion. Reverbrating with gorgeous melancholy, China's Last Stand drifts like a phantasmal memory made tangible by skillful musicianship. At the end of the trail, Carved in Stone (6:13) basks in the twilight glow of etheral synth sounds before the nightlife begins; tribal beats, ebbing and flowing in intensity, empower the ringing guitar haze and rising choir sounds.

Not ambient, of course, but definitely transportive... though I was never a prog-rock fan, the big, bold sounds here are a refreshing ear-opener even while retaining some fairly "standard" rock features. Rockenfield/Speer's trip through Hells Canyon makes for an invigorating 8.3 sonic getaway despite the "normal" instrumentation.

Ordering info and much more can be found at www.paulspeer.com

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This review posted October 29, 2000

AmbiEntrance © 2000-1997 by David J Opdyke (except CD cover art, rights retained by original owners).