LogoQOM 8/98

QOM is the Question of the Month, as answered by a select group of ambient/electronic artists. A good time for all, and educational too!

"Gotta Be Me"

What makes your music different than anyone elses?
Since all my music is done entirely on the electric guitar, that would be the obvious answer. However, getting past the instrument that it's played on, my music best represents me as a person- just like everyone else's does. Part of what contributes to my music is what I expose myself to musically- if all I did was sit around listening to only ambient music, or, God forbid, only MY own music, the compositions would get pretty isolationary pretty quick. Whenever I need to get inspired pretty quick, I'll listen to either the music of Hildegard von Bingen or Miles Davis.
    - Jeff Pearce: ambient guitarist

Hm? I think that it integrates electronics into an 'ethereal/gothic' setting in a way that isn't intrusive, but rather enhances the mood. Most people who use keyboards want it to be obvious, and get into all the new fangled equipment or retro analog stuff . . . I think the songs and moods are more important, than the gadgetry.
    - Sam Rosenthal: black tape for a blue girl

The minimal music that I did in the 70's and early 80's was unique in the way it used silence as an architectural space. There were no melodies. I tried to minimize the harmonic aspect by using only one chord in my works. (I only used one chord for about 10 years.) I just used blocks of sound and silence. It's more architecture than music. Maybe it's related to the "furniture music" concept of Satie - in concept but not in style. Maybe it's REAL ambient in that aspect... real minimal too.
    - Larry Kucharz: minimalist

Different ? Mmmm, I think I'm sober enough to say that my music definitely belongs to an existing genre. However, I do think within this style I succeed in sending out the music with my signature and the persistence of using these specific techniques of looping surely contributes to achieve this personality. I also worked a long time with specific settings for creating the sounds but since my latest album 'Crossing the trail' I'm gently moving away from this standard application. Nevertheless I'm sure one way or another those elements will never disappear, they just became a part of my life.
    - Vidna Obmana: ambient artist

Without being snide, just the fact that I gave it form makes it uniquely mine. I regard myself as a conduit for greater energies, the creative spark coming from...where? So in allowing it to pass through me I lend it a form which is going to be irreversably influenced by my life experiences and who I am, both the skills I have and those I don't have. That's the main thing. Probably some of the concepts I work with are different from what other musicians work with, but I think it is in allowing the creative process to be personal and reflect oneself that each artist's work becomes unique.
    - M. Bentley: the foundry

To be critical to anyone elses and reflect noise in private life.
    - Katsuya Hironaka: Electronician

Coming in QOM: 9/98: "Back to School"

Look for a new AmbiEntrance QOM at the beginning of each month. No telling who may join in, so be sure to check back...

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