Modell/Mantra: sonic continuum Modell/Mantra: sonic continuum (Hypnos - 1998) Lush, gorgeous and cinematically unfolding, these aural journeys by Rod Modell and Michael Mantra can lead the listener deep into a sound-defined sonic continuum. Two long tracks, with numerous well-blended sound effects, lead the way (though more adventurous listeners may feel corralled by the specificity of the sources). In vitamin M (35:55), a simple, naturalistic cycle is established by the ebb-and-flow of synth layers upon which various aural events and patterns are seamlessy applied. More ebbing-and-flowing comes in the form of often-present ocean waves and wind sounds, though others appear (such as birds, thunder, muffled voices, ceramic tinkles and occasionally unidentifiable percussive effects). Slowly abating toward its end, the long track length accentuates the "total immersion" effect that can easily be achieved. Constructed of very similar elements arranged in a similar fashion vitamin K (35:07), too, expands and contracts in waves of electronics adorned with more natural sound sources. Again, the sea figures prominently in the mix, though in this outing, the synth sounds are a bit darker (despite occasional laughter), and the overall atmosphere somewhat more industrial (with a distant, shrill feedback tone and even a ringing phone). I suppose my main complaint with both tracks is that (when ambient listening is generally patterned around a total lack of constraints) the sounds here tend to be rather concrete. Not a major problem, but reinforced with repeated listenings... "Yep, we're back at the beach ... mm-hmm, there's that bird again...". Calming and expansive, Modell/Mantra's pieces go beyond some cheesy "Soothing New Age Sounds - W/Ocean Noise!" relaxation cassette, though it's not an inconceivable comparison. sonic continuum is an expertly rendered ear journey and, despite inherent limitations, warrants an 7.9. Mantra and Modell draw upon their previous experiences as former Silent Records artists, and can be heard (together and separately) on the Oscillations comp, also reviewed this month. This review posted March 25, 1999 AmbiEntrance © 1999-97 by David J Opdyke (except CD cover art, rights retained by original owners).