Caroline Lavelle: Brilliant Midnight

lav-bm.jpg (15k) Caroline Lavelle: Brilliant Midnight
(Teldec - 2001)

While I don't usually cover such vocal-oriented releases, Caroline Lavelle's voice operates as another skillfully-played instrument in the lush layers of her compositions (and the beatronic tracks are really cool), so here she is... You may have heard her with Massive Attack, Peter Gabriel, Radiohead and many others...

Too arty to be simply "pop", Brilliant Midnight is filled with more instances of brilliance than of midnight...

While the album mainly belongs to Lavelle (besides writing and singing most tracks, she also provides cellos, bass, keys and loops), contributors include Hector Zazou, Michael Nyman, Charlie May and co-writer/instrumentalist Clare Kenny, among others.

Steeped in the languor of sorrow, Farther than the Sun's words and music emit sweet aching. With more-electronic overtures, the writhing bass and spattering drums of Anxiety stalk determinedly, Lavelle's voice pitching and rolling wordlessly between verses. Ecovative of meandering green countrysides in some soft-focus filmscene, Anima Rising successfully reaps from Enya-esque pastures.

Thoroughly modern e-rhythms slither beneath (and multi-tracked vocals self-harmonize over) the strum-and-drum of She Said. The Fall's lyrics are thoughtfully-delivered over solemn-though-sparkling piano lines. Poetry from foreign pasts are given new life in orchestral/ethereal Siamant'o (and again in the French ear-cinema of Le Pourquoi).

Experimental atmospheres lurk behind the moodily entrancing Karma while more-straightforward neo-classical instrumentation dances throughout the shining shadows of Mangoes. With a delicious swaying groove stirred by downtempo beats, Firefly Night illuminates the hushedly wavering guitar/synth/voice backup.

The rather minimally-applied acoustic stringsounds and voice of sepia-toned Universal are followed by purely instrumental Twisted Ends (1:52) and Lavelle's elegant piano/cello rhapsodies. In closing, Kid Loco provides a slightly-more-pumped-up remix of earlier self-reliance anthem All I Have) (9:34).

The artfully-produced tracks of Brilliant Midnight cross a variety of styles, all equally well-done. Of course, I'd like to hear more of the electronics-and-beats and less of the wordiness, but cannot deny Caroline Lavelle's success at doing what she does so well... making beautiful music, and earning an 8.4 in the process.

The info-packed www.carolinelavelle.com tells more...

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This review posted June 30, 2001

AmbiEntrance © 2001-1997 by David J Opdyke (except CD cover art, rights retained by original owners).