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Low, ponderous tones slink through the floating mists of Godrest without any distinct reference to its assumed traditional counterpart. (None of the pieces do for that matter). Chiming and looping, hypnotic belltones glint through the wavering drifts of electronic gleam which flow through Goodking.
Silent 1 (2:58) subtly hovers, giving a taste of the long-form version which follows... Glacial symphonic movements cross the softly undulating plains of Silent 2 (12:54); the low, extended notes are occasionally visited by unobtrusive e-piano notes. Shortened versions of the two opening tracks follow.
Thanks to Anthony Asher Wright for pointing me to these tracks, and thanks of course to KSINE a.k.a. Jeremy Kolosine, for sending it right away.
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