Paul Ellis: Into the Liquid Unknown Paul Ellis: Into the Liquid Unknown (Hypnos/Binary - 2001) Yet another aquatically-oriented release... Armed with synths and sequencers, Dweller at the Threshold member Paul Ellis dives Into the Liquid Unknown like an audio Jacques Cousteau. The classic electronic music stylings on this disc also represent the first release from a new Hypnos offshoot, Binary (dedicated to exploring more dynamic, less ambient forms). Upwardly trickling energies seem to arise from bend in the river, tiny notes spiraling and bubbling within faint, shimmery drifts. Coasting along on deep currents, the similarly percolating twinkles of into the liquid unknown (13:35) receive additional propulsion from the low end. The level of activity leads to almost (but not exactly) tuneful explorations with several moments of brooding intensity. The longest track empties into the shortest; monstrous drones issue from a moonlit stream at the mouth of a cavern (0:58). Squiggly synth strands twirl through glowing radiance in the enigmatically entitled a roaring player piano left burning on the beach. Chittering bird-like cries twitter from the gently wavering/tinkling loveliness of glistening. Drifting down the underground river, piano sounds are heard along with the usual less-identifiable synthforms, like those buzzing with warm sing-song playfulness in dissolve. The disc concludes on the whispering washes of too-brief drop becomes ocean. Often when ambient explorers go "underwater", the results convey a sense of murkiness, but Paul Ellis' subaquatic visions are generally of a crystalline clarity, sparkling Into the Liquid Unknown while capturing the shadowy depths as well. I generally avoid unknown liquids, but having tested, can tell you to come on in... the water's fine. An 8.4. Learn more about the new goings on at Hypnos/Binary. This review posted September 29, 2001 AmbiEntrance © 2001-1997 by David J Opdyke (except CD cover art, rights retained by original owners).