|
A whirling shower of shards of sound and feedback, avian maria flutters, flits and pulsates. The rapidly warbling backdrop of dust which merges with a cool, jazzy cymbal and bass accompaniment, subjected to various audio oscillations, thankfully smooths out into a more stable flow. Hazy morse code blips and electronic grunties originate from the direction of east north-east, emanating in sputtering staccato bursts over thick, slowly meandering organ notes.
The dense, detritus-ridden sonic drift of onwards, upwards is backed by e-beats and shimmery synthwaves. Like the soundtrack for a bad acid trip, dfusion is the discordant (and seemingly endless) merger of softly echoing bell tones with atonal keyboarding and light e-percussion. Ringing and echoing into an audible smear, the bells and electronics of tributaries are laced with cyclic glints, and a low electronic ruffle at the piece's conclusion.
Semi-symphonic and disjointed, endmotion swelters in a state of suspended trepidation; interlaced with electric residue, sweeping string chords slip amongst each other, while hovering over a faraway, grumbling drone.
Looped, minimalistic e-tones phase through eclipse (2:22), and are impaled by reverse soundwaves. Musical bits and pieces (including wheezy violin-ish strands) are composited and slightly blurred in salt, another moody soundcollage.
Blaring orchestral brass and undulating sinewaves emit from amorpheus in geometrical ringed patterns, spreading and growing. Emerging from a brief silence, the long-running "hidden" track (14:29) which closes the disc radiates in wafting/waning cloudforms propelled by a simple beat.
|
