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In Here To Go, swishing cymbals and pulsing bass are somehow dispersed into almost vaporous forms; from this syncopated haze, ML Munch's quietly sultry feminine vocals slip in an ethereal-lounge mode. More overtly drummy, though still decidedly low-key, Like Rain floats amid hovering synth wisps and H. Liegott's lighter-than-air guitar strands. Machine-made breezes segue into the spacier drifts of instrumental Let Me Ride It, flowing like a miniature jetstream between ones ears, dappled with reductionist percussion. The beats become more pronounced, steering the track to its ultimate destination...
Echoey guitar strums radiate from Whispering (9:36), enjoined by pattering rhythms, wan vocalizations and fluttering sonic atoms. Buzzily distant drones filter through the sporadic beats and muffled chimes of PPG HOLD PRG. 11, marked with occasional static blits.
Ms. Munch's intonations seem more impassioned in Something Not To Do, still weighed down by palpable weariness even when buoyed by more-active e-drums. Gruffer beatronic distortions and radiowave frenzies ensue. Phasing in on hypnotic guitar loops, word-free Memo (5:24) ripples in a twilight void of digital twinkles and blurts.
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