Robert Scott Thompson: Blue Day

tho-bd.jpg (22k) Robert Scott Thompson: Blue Day
(Aucourant Records - 2000)

When Robert Scott Thompson is having a Blue Day, it's not a time of melancholy; instead expect an optimistic, introspective time... a waking daydream in which to marvel at the amorphous soundclouds which seem to flow freely from his imagination, creating an almost tangible sense of place in a misty fantasy land of sonic beauty and mystery.

Meet Robert in this month's exclusive AmbiEntrance interview...

A magical convergence of multilayered drones and tinkling chimes churns all-too-briefly in Origin. Long drifts of choral tones expand throughout the ghostly loveliness of Lattice, under which subterranean rumbles vibrate and flute-like strands sneak. A melancholy tune floats hauntingly, quietly and again briefly in Illusion of Orderly Progress.

Almost 20 minutes in length, Sign and Symbol plumbs a seemingly thin, but ultimately impenetrable, murk which contains several softly droning levels, slowly cascading tones, insectoid buzzing, and many other pleasantly disorienting effects. An amazing place in which to explore, from the subterranean to the stratospheric. Introspective piano notes are spaciously picked out amongst the subdued swelter of Lament's ambient backdrop.

Another day, another deep immersion experience... the vast depths of Blue Day (25:33) radiate with male and female choral ahhhs and sometimes Middle Eastern airs (through chimes and altered string sounds), though all are seamlessly integrated into one continually evolving, involving, soundmass which slowly boils like a thunderhead. The tribalish percussion and plucked strings of Disclosure (1:33) merge with a backdrop of faint, surreal distortions. Hazy piano notes mingle with steady jungle drums while female vocal snippets slip into the sweet unreality of Effulence's shapeshifting atmopsheres... a lovely way to close.

Ranking with his classic The Silent Shore, Robert Scott Thompson again treads through gorgeously-realized dreamworlds which reflect both the lightness and the dark. Fantastic atmospheres of formless tonal radiance seem almost real when Blue Day dawns. An impressed and appreciative 9.3. 9-3.gif
This review posted August 30, 2000

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